GENERAL ARTICLES

‘The Florenskian Icon “in” Lacan?’
Word & Image 26, no. 1 (January-March 2010), 52-58

‘Ernst Bloch: a Glaring Omission in Spe Salvi?’
Religious Socialism 31, no. 1 (2007-08), 12-13

‘Alberti’s “Window”: Art-Historiographic Notes on an Antimodernist Misprision’
Art Journal 50 (Spring 1991), 34-41

ARCHITECTURE

‘Thoughts on Mies’s Lemke House: Architecture—Feminism—Philosophy’
The Brooklyn Rail, October 2018, pp. 46-47

‘The Anti-Architect’ [Adolf Loos]’
Art Monthly (London), no. 348 (July-August 2011), 11-14

‘Op Arch: Unholy Antimodernism’
Journal of Architectural Education 62, no. 3 (February 2009), 23, 99

‘The “One-Walled House”: A New Facet to Loos’s Dodgy Classicism?’
Word & Image 23 (2007), 270-74

‘Macy’s Jamaica (1947): An Unsung Modernist Masterwork in Queens’
The Brooklyn Rail, September 2007, pp. 42-43

‘Steven Holl’ (interview)’
Bomb (New York), no. 79 (Spring 2002), 24-29

‘Karel Teige: Functionalist and Then Some’
Art in America 89/12 (December 2001), 100-05, 128

MODERN ART

‘“Goya’s Graphic Imagination,” at the Metropolitan Museum of Art’
The Brooklyn Rail, March 2021
https://brooklynrail.org/2021/03/artseen/Goyas-Graphic-Imagination-1

‘An Editor’s View of Reinhardt and Merton: A Generation Behind; a Generation Ahead’
The Brooklyn Rail: Ad Reinhardt Centennial 1913-2013, ed. Alex Bacon and Barbara Rose (on-line only)
http://brooklynrail.org/special/AD_REINHARDT/ad-and-spirituality/ (January 16, 2014)

‘Ad Reinhardt’s Emblematic Drawings in Their Moment’
The Brooklyn Rail, December 2008—January 2009, pp. 34-35

‘Duchamp the Jocund and Santayana: L.H.O.O.Q. as Open Caricatura’
Word & Image 19 (2003), 305-13

‘A Pre-Bretonian Advocacy of Automatic Drawing: Spare and Carter’s
“Automatic Drawing” (1916)’
Res: Anthropology and Aesthetics, no. 38 (Autumn 2000 [2001]), 179-85

‘Raw Art: “Primitive” Authenticity and German Expressionism’
Res: Anthropology and Aesthetics, no. 4 (Autumn 1982), 93-117

CONTEMPORARY ART

‘Luciano Fabro,’ at Paula Cooper Gallery
The Brooklyn Rail, July-August 2023
https://brooklynrail.org/2023/07/artseen/Luciano-Fabro

‘Dorothea Rockburne: Giotto’s Angels & Knots,’ at David Nolan Gallery
The Brooklyn Rail, December 21, 2021-January 22, 2022.
https://brooklynrail.org/2021/12/artseen/Dorothea-Rockburne-Giottos-Angels-Knots

‘Fifteen Minutes of Faith’ (Warhol at the Brooklyn Museum)
The Tablet (London), 275/9429 (27 November 2021), 19-20

‘A Painter-Aficionado of Roberto Bolaño: Benjamin Pritchard’ [interview]
The Brooklyn Rail, on-line edition
https://brooklynrail.org/2018/10/art/BEN-PRITCHARD-with-Joseph-Mashek

‘Marx at the Cathedral’ (‘Worthwhile Work,’ at the Cathedral Museum, Trier, Germany)
The Catholic Worker (New York) 85, no. 5 (August-September 2018), p. 7

‘Artschwager’s Interest in Arthur Wesley Dow and Arts and Crafts c.1900: A Documentation’
The Brooklyn Rail, June 2018, p. 16 (with substantial on-line supplementation)

‘Luciano Fabro, “Each Sense Has Its Image: Observations on Lesson No. 4, Delivered by Florensky at VkHUTEMAS in 1923’ (1995), trans. Riccardo Peloso, ed. Masheck
Art in Translation (Edinburgh) [on-line] 3, no. 2 (June 2011), 171-78

‘Black Square’ [original title: ‘On the Reach of Malevich’]
Art Monthly (London), no. 308 (July-August 2007), 11-14

‘Robert Smithson Now’
Art Monthly (London), no. 290 (October 2005), 7-9

‘Minimalism: N. Y.’
Art Monthly (London), no. 277 (June 2004), 5-8

BOOK REVIEWS SINCE 2000

Inside the Spiral: The Passions of Robert Smithson, by Suzann Boettger
The Brooklyn Rail, April 2023

‘Activist Formalist’: Carl Einstein: A Mythology of Forms; Selected Writings on Art, by Charles Haxthause
The Brooklyn Rail, June 2022

No Idols: The Missing Theology of Art, by Thomas Crow
The Burlington Magazine 161, no. 1393 (April 2019), 356

Byzantium/Modernism, ed. Roland Betancourt and Maria Taroutina (with Edmund Ryder)
Art and Christianity (London), no 88 (Winter 2016), 13, 14

Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God, by Clemena Antonova
Art and Christianity (London), no. 62 (Summer 2010), 13

The Avant-Garde Icon: Russian Avant-Garde Art and the Icon Painting Tradition, by Andrew Spira
Art and Christianity (London), no. 59 (Autumn 2009), 16-17

Sacred and Profane Beauty: The Holy in Art, by Gerardus van der Leeuw (1932; 1948; 1955), tr. D. E. Green
Art and Christianity (London), no 54 (Summer 2008), 6-7

On the Strange Place of Religion in Contemporary Art, by James Elkins
Art and Christianity (London), no. 44 (October 2005), 9, 12-13

Historical Grammar of the Visual Arts, by Aloïs Riegl
Art Monthly (London), no. 285 (April 2005), 35-36